Tea cup　Autumn leaves , Syunzan kiln 　Kyo ware Kiyomizu retailer ware

Kiyomizu ware kiln, Shunzan kiln, tea bowl, flower travelogue series, autumn leaves alone.

Make tea, coffee, black tea, matcha as an Ippuku bowl,
It is a handy container that can be used freely regardless of Japanese or Western style.


I gently drew the maple that burns bright red and the autumn leaves that Japanese people like.
About 10 cm in diameter. A large bowl called Ippuku Bowl.
It is a container that makes refreshing sencha and bancha shine.

A very gentle impression of the Kyo-yaki Kenzan-style earthenware bowl.
The autumn leaves in full bloom are decorated.

The inside is white so you can see the color of the tea.

One of the charms of this vessel is the black dots such as kiln change and iron powder called "Ohon".
It has the certainty of Kyo-yaki-like technology and is surprisingly light when you hold it in your hand.

It is a container that makes you feel the autumn of Japan where you can feel the gorgeousness in the astringency.

Not limited to drinking hot water, you can try making small bowls and matcha, and use it for multiple purposes.


◆ Item No. 7710 Autumn leaves tea bowl Ippuku bowl separately Toshiyama flower travelogue


■ Dimensions: Diameter 10 cm, height 6.5 cm Cosmetic box

* Because it is handmade, the shape, color, and size are different one by one.
● About the color of the vessel
Colors may look different between the posted image and the actual product due to the effects of lighting, computer, monitor type and settings at the time of shooting. Please note.


Ceramic history Mori Toshiyama
For over 70 years since the Taisho era, at the foot of Kyoto, Higashiyama, and Sennyuji Temple
Inheriting the tradition of "Kyoto Kiyomizu ware" completed by Ninsei and Kenzan
Reflecting on the modern sense, he is constantly pursuing innovative ceramics.

Taisho 6
Kazutoshi Mori The first kiln was set up in Kyoto using the technique learned in Kutani ware.
Showa 21
Norihiro Nidaimori
After completing the training at the National Ceramics Research Institute
Under the guidance of Dr. Sonsaburo Tokuriki, he aspires to research new design pottery.

Exhibited at Kyo ware, Kiyomizu ware exhibition, Seitokai ceramics exhibition,
Received the Governor's Award, Mayor's Award, etc.
In 1983, he was certified as a traditional craftsman.
Currently, the chairman of the cooperative in the Sennyuji area
Served as a judge of the National Ceramic Design Protection Council
Dedicated to the development of the ceramics industry.

Shunji Mori
Born in Kyoto Prefecture in 1957
1977 Completed Kyoto Prefectural Ceramics Training School
1978 Kyoto Municipal Industrial Research Institute Ceramics Completed
Selected for the 1980 Kyoto Exhibition (selected every time thereafter)
Selected for the Japan New Crafts Exhibition (selected every time thereafter)
Selected for the 1981 Japanese Ceramics Exhibition
Selected for Nitten (8 times thereafter)
1983 Awarded the 3rd seat of the All Kansai Exhibition (4 times since then)
1985 Received the Governor's Award at the Kyoto Prefectural Gallery retailer Selection Exhibition
1986 Received the Kyoto Exhibition Art Roundtable Award (three times thereafter)
Received the New Craft Award from the Japan New Craft Exhibition
1987 Gallery Maronie solo exhibition
1988 Creative Society Selection Exhibition Gallery Le Monde
1989 Kazuo Yagi Selected for Contemporary Ceramics Exhibition
1990 Selected for the Mino International Ceramics Festival
1991 Received the Kyoto Prefectural Kumi Exhibition Excellence Award
1992 Kyoto Daimaru solo exhibition
1993 Kyoto Creative Ceramics Flow Exhibition (Museum of Kyoto)
1994 Shinjuku Isetan solo exhibition
1997 Nikkokai Exhibition Nikkokai Member Award

Currently a member of the Nikkokai / Member of the Kyoto Prefectural Craft Artist Association